- Research - 





These frames and backing paper are by John Lewis. They contain mainly only type keeping it minimal and to the point, the text contains various quotes to influence the audience in buying the frame. This is a good style because its quite unique and eye catching as it is so minimal, also leaving the frame open to the imagination of the audience as they will not be influenced into what exactly they are putting into the frames themselves.






These three frames are good examples of a more artistic approach to backing paper. They look more hand rendered and interesting as they do not look like the generic backing paper you get on most frames. This is good because it could influence the consumer into buying the frame not just the put their own images in but keep it for the art that is already inside them.


- Research -


This is one of my most favourite designs for the backing paper. The use of the vintage looking illustrations entice the audience as it represents the feeling of 'home'. The detail of the illustrations make it look a lot more interesting and hand rendered making it have more of a personal atmosphere towards its target audience.




The two frames above I thought were good examples of backing paper for their frames. Both designs again have a vintage feel about them as they look screen printed and hand rendered. The first frame contains mainly imagery of what looks like old sentimental items that would of been some sort of value to someone. The second contains mainly type that looks like a newspaper, this again is quite a unique design for backing paper as you would not usually find this style in a frame enticing the audience again.







The three frames above contain mainly imagery which could all represent different memories. The first being a brightly coloured building which could represent travel//holidays etc, this would influence the audience in buying the frame as they themselves could put their own travels into the frames. The other two frames are close up of items what could be from a home in the country, the items to some people could be completely meaningless however I think it shows the detail in things we do not really take notice of. This could influence the audience into buying the frame as everyones eye in the world and photography is differrent therefore our frames show the world how we see it ourselves.



This is an example of the use of photography in a frame. The black and white image works well within the frame as it contains a lot of depth and detail that the clean minimal frame emphasises focusing the attention mainly on the photograph itself. This I believe works well and is something I am considering doing in my own experiments.





These examples of backing paper works really well within their frames. The high definition photographs strongly represent family and memories, one of the main things that people put into their frames. The photographs look professionally took which is cleverly done to suit the target audience, as the frames are expensive the audience would have be on a higher income who probably have their own expensive cameras or can afford their own family shoots.



- Researching existing posters -


I thought this was an excellent example of image based graphic design. There is no text whatsoever on the posters however the simplistic designs are still easily recognisable. The use of only two colours also contribute to the clean minimal design which I think makes a huge impact on the page. For my image based poster I would like to try vector based illustrations myself and see if it can communicate my message.



This is an example of an image and type based poster. Again I am really fond of the vector based illustration and think it makes an interesting eye catching impact on the page. The use of the three colours also keep it clean yet communicates the country its representing which I think works well. The typeface is also minimal yet bold but not drawing too much focus away from the poster itself which is a good element to use in my own poster.


This is a type based poster which I again thought was successful. It instantly draws attention because the message it is communicating is not clear at all making you look and work out what it says. Although it is very minimal I believe the impact it makes is very successful and something I would like to try in my own posters.



- Guerrilla Advertising -

I thought I would look into guerrilla marketing as I thought it was the most appropriate for my propaganda like posters. As my three posters are questioning newspaper companies I would have to create something that was creative, subtle yet still made an impact to capture the publics eye.







These examples of Guerrilla marketing I thought were most appropriate for my aims in my own posters. They capture interest by making subtle, curious yet high impact effect drawing instant focus on them which is what I want to explore in my own posters.



- Semiotic Analysis of a type -




Helvetica was typeface created back in 1957 by two Swiss designers named Max Meidinger and Eduard Hoffman. It is one of the most widely used san serif typefaces that exist today. The initial aim of the typeface was to be neutral and easy on the eye so that it could be used globally on a wide variety of signage. The fluent san serif type consists of the same weight throughout making it strong and legible.
            As Beatrice Warde once said “Type well used is invisible as type, just as the perfect talking voice is the unnoticed vehicle for the transmission of words, ideas.” This fits perfectly with Helvetica, as it is a worldwide type to the point the majority of our society will of seen the type yet not know its name or purpose. Although it was created in 1957 it still has very much use in todays society such as the New York subway signs, Panasonic, Evian water and even the American Airline logo. The American Airline logo is the only airline in the past 40 years that have not changed their identity, which shows the power and history of Helvetica itself as there is not need to improve.
          Herbert Bayer also once quoted “it is a fallacy to believe that styles can be created as easily and often as fashions change.” This also relates to Helvetica as it has many subtle styles that have been created to suit different purposes such Helvetica Neue; consisting of a large font family made up of regular, condensed, extended widths and outline.






 Semiotic Analysis

The Stone Roses album was released back in 1989 by Silvertone Records. The guitarist John Squire created the album cover titled ‘Bye Bye Badman’ that was heavily influenced by the artist Jackson Pollock who was most famous for his drip styled paintings. It also features the colours from the French flag and three lemons scattered across the cover.
             Both the iconic French flag and lemons signify a political movement and dominance within a society from the Paris riots back in 1968. It was a period of civil unrest within France where students protested and gathered the largest strike ever attempted that almost caused the collapse of their own president Charles De Gaulle’s. The government responded with aggression in the streets using tear gas on the protesters; ‘
Choke me smoke the air, in this citrus sucking sunshine’ is a lyrical reference from the song Bye Bye Badman featured on the album as the students used to carry around lemons to suck as they were an antidote for the effects of the tear gas.
             The Jackson Pollock inspired artwork also symbolizes the chaos and extremism from the riots and how the protesters made an impact on the French society. The green and black colours create a visually rebellious atmosphere as Ian Brown and John Squire were influenced by one of the documentaries entitled ‘Revolution Revisited’ which inspired them to write the lyrics for Bye Bye Badman; ‘
I'm throwing stones at you man, 
I want you black and blue and, I'm gonna make you bleed, gonna bring you down to your knees’. The signifiers I believe reflected The Stones Rose’s rebellious attitude within their own country with the rise of Margaret Thatcher; as Britain was recovering from a recession from the early 1980’s it maintained to have high unemployment rate making most working classes standard of living extremely low. The stones album gave the youth of their generation a sense of freewill and enjoyment in the hard economic state.
           The typeface used is a classic san serif bold font. The burned orange colour makes an impact and adds vibrancy to the cover that could be a connotation for hope and excitement within the album. The type as a whole could also reflect the impact The Stones Rose’s intentions were to have on the public, appealing to a wide selection of music lovers in society from rockers to ravers; merging psychedelic and dance grooves.








             


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